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Written by: Kaytee Weidenfeld

At 14 stories high with a neoclassical demeanor, the Battery Park Hotel overlooks the city of Asheville.

During the summer of 1936, the hotel cast a dark shadow over the town.

On July 17, a 19-year-old blonde New York University honor student named Helen Clevenger was found brutally murdered in her hotel room.

Clevenger was in town visiting her uncle, a professor at NC State University, according to Haunted Asheville, the oldest ghost tour in the city. 

Tadd McDivitt, chief occult researcher for Haunted Asheville, says she was found with cuts and lacerations on her face, as well as a gunshot wound to the chest.

“The vivid description in the police report stated that her green and white striped flannel pajamas had been completely soaked in blood,” he says. “She was curled into a ball, as if crying or praying when she was killed.”

When police started their investigation, the only suspects they had were the elite hotel guests, who were very embarrassed being the focus of the investigation, McDivitt says.

As word got out, he says the press referred to Battery Park as the Murder Hotel, giving it something of a reputation.

In order to put an end to the black cloud looming over Asheville, McDivitt says police were under a lot of pressure from their captain, as well as the press to bring the perpetrator to justice.

Two months into the investigation, there was a confession out of nowhere, he says. Martin Moore, a 22-year-old African-American boy from South Carolina, confessed to the crime. 

At the time, he worked as a bellhop at the hotel. McDivitt says Moore was going door-to-door, robbing unlocked rooms.

“They were in such a rush, his trial was fast tracked,” McDivitt says. “I kid you not, the ink was barely dry on that confession when they pushed his trial through. He was put to the gas chamber in Raleigh four days after the confession was signed.”

The Battery Park Hotel in which Clevenger was murdered is actually the reincarnated version.

According to the Joint Center for Housing Studies (JCHS) of Harvard University, Colonel Franklin Coxe, a banker and real-estate investor, erected the original gothic-styled hotel in 1886.


The hotel once stood on a 10-acre hill, the site of a former Civil War battery, bringing about its name, according to The Citizen-Times. 

The article also reported legendary guests such as, George Vanderbilt and Thomas Wolfe, contributed to its famous reputation.

According to Asheville: A Postcard History, it was also the first hotel in the South to contain an electric elevator.

Years after Coxe passed, Edwin W. Grove — a pharmaceutical entrepreneur and ambitious real estate developer – purchased the property and replaced the English Baroque styled structure with a Spanish-Romanticism inspired high-rise in 1924.

Although the person responsible for Clevenger’s murder was put to justice, after surviving the Great Depression, the hotel eventually closed in 1972.

Since then, the building has experienced all kinds of abnormal activity, he says.

“The locals told me there is a service elevator that runs off its own volition, up and down all night long,” Tadd McDivitt says. “It just keeps going by itself, making the clatter wake everybody up.”

McDivitt says that very elevator also served as Martin Moore’s station as a bellhop.
He also says during the ‘70s and ‘80s, many locals have witnessed a red glow coming from the room she was murdered in.

McDivitt says the once posh hotel is currently run by National Church Residences, and serves as section eight housing for low-income, disabled senior citizens.

Some say the floor Helen Clevenger died on stays cold.

“They all say that the second story stays freezing cold no matter what season it is, or what they do to the thermostat,” he says. “It just stays completely frigid.”

Still, McDivitt says the residents absolutely love talking about the eeriness of the building.

Donna Nawrocki, services coordinator at Battery Park Apartments, says she hasn’t witnessed anything abnormal, however, she knows plenty of tenants who have.

Gail O’Brien, a current resident of Battery Park Apartments, has lived there for 23 years.

O’Brien says she has never witnessed anything abnormal, however, she gets an antsy feeling while on the roof garden, which is the 13thfloor.

She believes that antsy feeling is restless energy from the people who have passed.

“Sometimes you get that creepy feeling on the back of your neck,” O’Brien said. “I think it stands to reason that a lot of people have died here.”

She says she loves the experiences and stories she’s heard over the years, and doesn’t plan on moving any time soon.

“It’s a terrific building,” she says. “I’ve known people who have had their prom here, have gotten married here. Lots of spirits in this place.”
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Written By: Kaytee Weidenfeld

Many people are discriminated against globally for the art in which they choose to adorn their bodies with.

Not long ago, body modifications were reserved only for sailors, soldiers, inmates and carnies.

However, with the turn of the 21st century, the art of tattooing has gone from subculture to pop culture.

According to VU Trailblazer, the earliest record of a tattooed individual dates back to 2000 B.C.

Since tattoos are as old as time, why is body art still being discriminated against in modern culture?

John Slater, tattoo artist and shop owner of Tattoo Revival, from Madison, believes tattoos are an easy target for discrimination.

“They’re out there for everybody to see and it’s an acceptable target,” said Slater, a UNC Greensboro (UNCG) graduate of fine arts. “It’s way more acceptable to say, ‘I don’t like that guy because he has tattoos,’ than to say, ‘I don’t like that guy because he’s black.’ It’s a more acceptable way to discriminate someone.”


According to Debate, 77 percent believe tattoos are negatively stereotyped in the United States.

Slater said the idea of being stereotyped with “drunks and whores” is what leads to discrimination in the first place, especially at work.

According to Project Censored, Title VII of the Civil Rights Act of 1964 bans employers from discriminating against potential and existing employees based on race, sex, disability and religion.

But the website also reported there are no state or federal laws protecting modified persons unless it’s affiliated with their religion.

Pancho Mendez, vocalist of death-metal band Butcher of Rostov, from Mooresville, said his tattoos have hindered his job opportunities.

Mendez, a student of graphic design at Independence University, said after returning home from his first semester of college, he sought employment.

However, each establishment said he would have to shave, remove his body jewelry, and cover his tattoos, Mendez said.

After many interviews, he finally found a company who accepted him the way he was.

“All the other places only looked at how I represented their company and how interacting with customers would make them look,” he said. “Which again I understand, but I do not agree with. That’s judging a book by its cover and we’ve been taught since children not to do that.”

Mendez said his current employer, Cardinal Glass, has no problem with his appearance. He feels his work ethic speaks for itself.

“You give me a guy who looks like the biggest run-down bum with all of the tattoos all over his face,” he said. “It doesn’t matter. If he does a better job than the girl who was raised in the suburbs, I’ll take him over her.”

Mendez also gets discriminated outside of the work place. He believes a big part of it comes from living in the Bible Belt.

He said he’s never experienced southern hospitality, maybe because of his tattoos, as he sighed recalling a particular incident at a local Chick-fil-A.

Mendez said he was asked to leave the establishment because of the goat-headed priest tattoo on the back of his calf.

He wasn’t causing a distraction or harming anyone. He said he was patiently waiting for his order.

“I was really confused and not to be a child about it, but my feelings were kind of hurt,” he said. “Somewhere I’ve gone multiple times and have never been treated differently, and the one time you see something that is a part of me forever and you might not understand, you automatically write me off and treat me as a second-class citizen.”


Mendez said people don’t care that he has a 4.0 GPA and owns a sweet black cat named Jinx. All people care about is what they see.

Courtney Peters, a UNCG student of social work and public health, said she has never let her tattoos hinder her career opportunities.

Peters said employers always ask her to cover her tattoos, but she doesn’t mind. She said she knew what she was getting into when she started getting inked.

“I have a lot of friends who are getting their master’s and Ph.D. and doing a lot of impressive things, and they’re covered in tattoos,” she said. “I can’t imagine a world where they’re turned down because of something that is on their skin. I’m pretty positive for the future.”
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Written By: Kaytee Weidenfeld

With the revolution of social media and websites like YouTube, Vimeo, and Hulu in the 21st century, the music industry has rapidly changed.

Chris Tegge, also known as “the Professor,” a Full Sail University graduate of recording arts and show production & touring, from Gales Ferry, Connecticut, says musicians have always had trouble getting recognized.

He says before the birth of YouTube, musicians would get their work out there through bootlegs, word of mouth, and live shows.

“They had a different kind of challenge than today,” Tegge said. “Now you’re competing with 8 year olds who are putting stuff out.”

According to the Financial Times website, piracy is causing big record labels to no longer foot the bill for big music video productions.

This makes social media, film festivals, and other outlets the only way to get noticed.

The website also reports, in the new digital age, videos are back and bigger than ever.

“YouTube is our modern-day MTV, and it’s just as relevant as MTV was back in its day,” said Kelly Denson, executive producer of Music Video Asheville (MVA). “It gives a national platform to young up and coming artists.”

According to the Observer website, the most searched topic on YouTube in 2014 was music.

Denson says she has been working with MVA for three years. She sees it as a way of putting artists in the spotlight, in a way they might not have been able to in the past.

She calls it her passion project and loves what it does for the community.

“What is so unique about Music Video Asheville is that in this particular community, the musicians and those who are in the music business in this town get to be in the same place at the same time,” Denson said. “I always refer to this event as a family reunion of the Asheville music community.”

Denson says MVA stands out from other music video festivals because it’s condensed into one evening, compared to several days.

Furthermore, MVA opens up submissions in January, and artists can submit their videos with a $15 fee.
She says every person involved, whether it a musician, videographer, or otherwise, must live within a 60-mile radius of Buncombe County, making it locally based.

Denson says the hardest part about MVA is only being able to show 90 minutes of video, making the submission process excruciatingly painful and very competitive.

“I think what’s really great and unique about Asheville is that it’s not that crab in a bucket mentality when everyone’s trying to be better than the other,” Denson said. “Here, yes, there’s a natural competitiveness when you’re doing the same thing, but we use that competitiveness in a positive way. We’re helping each other and working to make this community as a whole better.”

She says on the day of the event, at the Diana Wortham Theatre, there’s a social hour in which guests are flocked with photographers, paparazzi and journalists, as they step on to the red carpet.

“Everybody’s dressed to the nines with a very Asheville flare,” Denson said. “Nobody’s wearing Ferragamo shoes or Vera Wang dresses, but they’re wearing their Asheville finest.”

After the red carpet social, Denson says everyone goes into the auditorium to watch the selected videos. From there, local entertainers present awards with an Oscar-styled ceremony.

Bryan Colston, an Asheville native, and half of the hip-hop duo Crazyhorse & Colston, says he and his partner, Max Hupertz, took home the award for best cinematography two years in a row from MVA.

He says they won awards for their videos “Makeshift Spaceships” and “Soul Driven,” thanks to Andrew Anderson of Double A Productions, who produced and directed them.

Both videos have over 5,000 views on YouTube, and Colston says social media is a great way of getting people to notice musicians. However, he still feels live shows are the most important.

“It’s all about the music; it’s all about how you interact with real people,” Colston said. “You can get gassed up and type whatever you want on that keyboard, but it’s hard to get on stage and not stare at your shoes.”

Colston says it’s hard to get people to watch an entire video these days due to Vine and other sites. He says people have less of an attention span than they use to.

The Medical Daily website reported a study by Microsoft Corporation, which found a human’s attention span to decrease from 12 seconds in the year 2000 to eight seconds in 2015, due to technology.

Furthermore, Colston has always admired music videos and what they do for an audience.

“Think about when you’re a kid and you see somebody’s music video and it does what it’s supposed to do, make it larger than life,” Colston said. “You’re able to give people a vision, so they know exactly what you’re trying to say.”

Musicians might not be putting out videos like Michael Jackson’s “Thriller” anymore, which is considered the most famous music video of all time according to the Rolling Stones website, and cost half a million dollars. However, Kelly Denson believes music videos are still iconic.

She says many people ask her why she throws a music video event when MTV is dead.

“Have you seen Miley Cyrus swinging around on a wrecking ball?” she said. “There are so many music videos, but everybody knows that video.”

Denson says if musicians have something catchy or a wide fan base, word will quickly spread, and social media is a great way of doing that.
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I am Kaytee Weidenfeld — writer & photographer. Join me as I share news and feature stories I've written.

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